dark indie-rock band – “too moody for pride”
our new EP, a Denver mythology
For our second album, we revisit some of our oldest material – a unified piece of storytelling and music in four movements. This is a modern Denver mythology, based on the Greek stories of Hermaphroditus and Salmacis. Coming Soon!
For our second album, we revisit some of our oldest material – a unified piece of storytelling and music in four movements. This is a modern Denver mythology, based on the Greek stories of Hermaphroditus and Salmacis. Coming Soon!
As our album-release is overtaken by a Denver mythology, Dan and Sondra and Miriam have to contend with friendship, loss, identity, memory, and a cursed pool that makes men soft.
A playful and intimate exploration of love, comfort, and home in a world on fire.
Global Pandemic
We are not here to flatter egotism, or prop up humbug; we are merely telling the [queer] story. We value what is good in the book; but we believe in the existence of other, and more vivid kinds of goodness.
The Denver Quarterly
vol 51 no 2 features
side-by-side excerpts from
Riding SideSaddle*,
and Buntport’s adaptation:
10 Myths on the Proper Application of Beauty Products.
A stage adaptation of my novel, Riding SideSaddle*, created with Buntport Theater and Teacup Gorilla.
Founded in 2001, The UMS is an annual three-day celebration of music featuring hundreds of bands across multiple venues.
A stage adaptation of my novel, Riding SideSaddle*, created with Buntport Theater and Teacup Gorilla.
A hybrid evening of music & story
We’re excited to be part of the single release for Species of the Stars by our good friends Open to the Hound!
In the summer of 2015, we released our debut EP in conjunction with Riding SideSaddle* and a tour across the midwest.
In the summer of 2015, we released our debut EP in conjunction with Riding SideSaddle* and a tour across the midwest.
For a few years, Teacup Gorilla performed & recorded music with Rachel Eisenstat – initially as Iron City, and later as Raven Jane.
Combining the sacrifice, transcendence, blood, and circumstance of the Catholic Mass with history, live music, science, dance, literature, and pop culture to find a wholly modern communion experience. What we have left is our selves, broken and battered, but surviving together.